In this series on masterful writing, we’re now looking at emotion. Masterful showing of emotion, masterful “telling” of emotion, and masterful evocation of emotion.
Perhaps the hardest thing for a writer to do well is to manipulate emotion. I say “manipulate” because one of the definitions of the word is “to operate in a skillful manner.” I am not using the word in its more negative connotations of insidiously controlling or affecting things or people for a harmful purpose.
We writers want to manipulate our characters and our readers. We want to masterfully evoke emotion in our readers because, as Donald Maass says in The Emotional Craft of Fiction, readers don’t just read; they respond.
Masterful writers don’t just show characters emoting and expect readers to feel the same feelings. Every writer should understand that just because a character is afraid or angry, it doesn’t make the reader afraid or angry.
Even if a writer adeptly shows a character feeling emotions, that doesn’t guarantee the reader will feel anything at all.
So it behooves writers to dig into this topic of evoking emotion, which is a slippery animal, to be sure. See More . . .