By Lucy V Hay I’m confident the below will give you a different perspective on developing those brilliant sparks of character ideas you have into longlasting heroes or heroines of your story. These tips are geared towards playwrights and screenwriters, plus they can be applied to novels for novelists too (but will need a slight spin […]
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Telling character backstory is sometimes necessary to show why your character has a specific motivation or mindset. Yet it’s important to learn how to write backstory that will not bog your novel down in constant harking back to prior events that occurred before the present time of your narrative. Read 5 tips for using backstory better: 1:
By Becca Puglisi There are a lot of heated opinions about whether plotting or pantsing is the best way to write a story. As an avid plotter myself, I was curious to hear about Dario Ciriello’s process, which contains a little of both. If you find yourself stuck on either end of the spectrum, today’s post
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By David Corbett The difference between writing emotion and writing feeling is more one of degree than kind. Feeling is emotion that has been habituated and refined; it is understood and can be used deliberately. I know how I feel about this person and treat her accordingly. Emotion is more raw, unconsidered. It comes to us
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By Mignon Fogarty Grammar Girl Semicolons Separate Clauses Semicolons separate things. Most commonly, they separate two main clauses that are closely related to each other but could stand on their own as sentences if you wanted them to Here’s an example: I have a big test tomorrow; I can’t go out tonight. The two clauses in
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