By Becca Puglisi There are a lot of heated opinions about whether plotting or pantsing is the best way to write a story. As an avid plotter myself, I was curious to hear about Dario Ciriello’s process, which contains a little of both. If you find yourself stuck on either end of the spectrum, today’s post […]
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By David Corbett The difference between writing emotion and writing feeling is more one of degree than kind. Feeling is emotion that has been habituated and refined; it is understood and can be used deliberately. I know how I feel about this person and treat her accordingly. Emotion is more raw, unconsidered. It comes to us
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By Mignon Fogarty Grammar Girl Semicolons Separate Clauses Semicolons separate things. Most commonly, they separate two main clauses that are closely related to each other but could stand on their own as sentences if you wanted them to Here’s an example: I have a big test tomorrow; I can’t go out tonight. The two clauses in
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By Janice Hardy, @Janice_Hardy A structure is like a rough map, the line drawings in a coloring book. How we overlay our story (color in the line drawings) is up to us, but the structure provides guides and boundaries to help keep us focused. Turning points like, “leave the ordinary world” are just a
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An inciting incident definition: The inciting incident is an episode, plot point or event that hooks the reader into the story. Screenwriting guru Syd Field wrote about the inciting incident in his classic book Screenplay. The inciting incident also fits Carl Jung’s description of the ‘hero’s journey’. In an examination of myths and stories from all over the world,
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