C.S. Lakin In this series on masterful writing, we’re now looking at emotion. Masterful showing of emotion, masterful “telling” of emotion, and masterful evocation of emotion. Perhaps the hardest thing for a writer to do well is to manipulate emotion. I say “manipulate” because one of the definitions of the word is “to operate in […]
Evoking Emotions in Readers in a Masterful Way Read More »
By Becca Puglisi, @beccapuglisi Part of The How They Do It Series JH: Tapping into the hidden emotions and subtext of a scene is a wonderful way to pull readers into that scene. Becca Puglisi visits the lecture hall today to share her tips on creating subtext and using vocal cues to show the hidden
Using Vocal Cues to Show Hidden Emotion Read More »
Break Story – A Definition By Lucy V. Hay I love the term ‘break story’ to describe the process of testing a new idea. (It’s borrowed from the building world, where you ‘break ground’ to lay the foundations of a building). Though I learned this in the screenwriting world, I discovered it works with all ideas. Now
How To ‘Break Story’ To Write Something Great! Read More »
By Becca Puglisi, @beccapuglisi Part of The How They Do It Series JH: Tapping into the hidden emotions and subtext of a scene is a wonderful way to pull readers into that scene. Becca Puglisi visits the lecture hall today to share her tips on creating subtext and using vocal cues to show the hidden
Using Vocal Cues to Show Hidden Emotion Read More »